[et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.22.2″ _module_preset=”default” background_color=”#FFFFFF” background_image=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/decoration-9.png” background_size=”custom” background_image_width=”14%” background_position=”top_right” module_alignment=”left” custom_padding=”||||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”SIFF 40 – 2023″ _builder_version=”4.22.2″ _module_preset=”default” title_font=”Mohave||||||||” title_text_color=”#ffcf20″ title_font_size=”63px” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font=”Nunito Sans||||||||” text_font_size=”20px” min_height=”22px” inline_fonts=”Nunito Sans” global_colors_info=”{}”]<\/p>\n
\nA story should have <\/strong>a beginning, a middle <\/strong>and an end, but not <\/strong>necessarily in that order.<\/strong><\/span><\/h2>\n<\/blockquote>\n
[\/et_pb_text][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”20px” global_colors_info=”{}”]<\/p>\n
This year we lost Jean-Luc Godard. A massive and sharp cinematic author who turned experimental ilm grammar into the core of his process of declination of present times. Unlike searching for a passive witness of modernism, his approach consisted in looking for expansions designed to regard the future. Language acts as a disjointed but authentic tool of making cinema – a tool he perceived as an attempt of understanding and living. In this perspective lies the spirit of Sulmona International Film Festival which turned experimentation and research into its greatest peculiarity. This event is now reaching its 40th edition – aimed at capturing the very heart of feelings which only ilms are able to convey in such a vibrant and vivid way. That is because our longings of collective experience will never cease to exist – despite the untrue, vain and too frequent accusations claiming the death of cinema. During these tragic days of war and deprivation of our fundamental rights, it is now necessary an act of sharing focused on the present – as a key point for a wider reconsideration of our deepest sense of humanity. We need to entrust stories and we need to do this together. For stories leads us to wisdom and understanding with awareness and concreteness – essential elements to face this fatal sense of degradation. We offer you a tale of ifty short cinematic works from twenty countries all over the world, varying in patterns and locations but brought together by the same purpose. In the authentic hope for an inner and soulful transformation leading to a more respectful and enriching regard for others.<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.22.2″ _module_preset=”default” background_enable_image=”off” global_colors_info=”{}”][et_pb_image src=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/facebook-14.png” title_text=”facebook-14″ url=”https:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2022\/10\/catalogo2022-web-40.compressed.pdf” url_new_window=”on” _builder_version=”4.22.2″ _module_preset=”default” box_shadow_style=”preset4″ box_shadow_color=”#000000″ global_colors_info=”{}”][\/et_pb_image][et_pb_cta title=”2022 CATALOGUE – SIFF 40″ button_url=”https:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2022\/10\/catalogo2022-web-40.compressed.pdf” url_new_window=”on” button_text=”DOWNLOAD” _builder_version=”4.22.2″ _module_preset=”default” header_font=”Nunito Sans|700|||||||” header_text_align=”left” header_text_color=”#000000″ background_color=”#FFFFFF” custom_button=”on” button_text_color=”#000000″ button_alignment=”left” global_colors_info=”{}”][\/et_pb_cta][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.2″ _module_preset=”default” background_color=”#ffcf20″ min_height=”100px” height=”100px” max_height=”100px” top_divider_style=”mountains” top_divider_color=”#FFFFFF” top_divider_flip=”horizontal” global_colors_info=”{}”][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.22.2″ _module_preset=”default” background_color=”#ffcf20″ background_image=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/decoration-8.png” background_size=”custom” background_image_width=”14%” background_position=”top_left” module_alignment=”left” custom_padding=”||||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”PRIZES 2022″ _builder_version=”4.22.2″ _module_preset=”default” title_font=”Mohave||||||||” title_text_color=”#FFFFFF” title_font_size=”63px” global_colors_info=”{}”][\/et_pb_heading][et_pb_divider color=”#000000″ divider_weight=”5px” _builder_version=”4.22.2″ _module_preset=”default” width=”42%” global_colors_info=”{}”][\/et_pb_divider][et_pb_image src=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/immagine-premi.png” title_text=”immagine-premi” _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_slider _builder_version=”4.22.2″ _module_preset=”default” header_font=”|700|||||||” background_color=”#FFFFFF” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_slide heading=”#01″ _builder_version=”4.22.2″ _module_preset=”default” header_font=”|700|||||||” header_text_align=”left” header_font_size=”36px” body_font_size=”18px” background_layout=”light” hover_enabled=”0″ header_font_size_tablet=”43px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on” sticky_enabled=”0″]<\/p>\n
BEST INTERNATIONAL SHORT FILM<\/strong>
NEST by Hlynur P\u00e1lmason<\/strong>\u00a0(Denmark)
Cinema in its essence: a fixed shot delivering the strength of the short film and its narrative and imaginative power – through its writing work, editing and staging production.<\/p>\nBEST ANIMATED SHORT FILM<\/strong>
THE SEINE\u2019S TEARS by Y. Belaid, E. Benard, N. Mayeur, E. Moulin,\u00a0H. Pinot, L. Vicente, P. Singer, A. Letailleur<\/strong>\u00a0(France)
History and politics turned into a vital essay of animation technique – through the captivating use of colours and music in fundamental balance between emotional involvement and reflective distance.<\/p>\n[\/et_pb_slide][et_pb_slide heading=”#02″ _builder_version=”4.22.2″ _module_preset=”default” header_font=”|700|||||||” header_text_align=”left” header_font_size=”36px” body_font_size=”18px” background_layout=”light” hover_enabled=”0″ header_font_size_tablet=”43px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on” sticky_enabled=”0″]<\/p>\n
BEST NATIONAL SHORT FILM<\/strong>
L\u2019UOMO MATERASSO by Fulvio Risuleo<\/strong>\u00a0(Italy)
The director succeeds in deceiving us all – by taking full advantage of cinematic language and the excellent performance of the actors. \u201cL\u2019uomo materasso\u201d becomes a witness of our time and encourages reflection through its humour.
Special Mention to Closed to the Light di Nicola Piovesan<\/strong>\u00a0(Italy)
For its innovative and experimental directing conveying a tormenting and vibrant still image of horror, giving new life to a violent and aching past to enlighten awareness for a current and contemporary sensitivity – as a result of its excellent use of sound and sequence shot crossing over tableau vivant.<\/p>\nBEST EDITING<\/strong>
Sanabel Cherqaoui for LUCIENNE IN A WORLD WITHOUT SOLITUDE di<\/strong>
Geordy Couturiau<\/strong>\u00a0(France)
A short film employing the most ancient of cinematic editing figures, \u201cshot-reverse shot\u201d, giving it new life and rhythm: each cut seems to build a small narrative world – meeting and colliding with the other – emphasizing one of the topics of the film.<\/p>\n[\/et_pb_slide][et_pb_slide heading=”#03″ _builder_version=”4.22.2″ _module_preset=”default” header_font=”|700|||||||” header_text_align=”left” header_font_size=”36px” body_font_size=”18px” background_layout=”light” hover_enabled=”0″ header_font_size_tablet=”43px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on” sticky_enabled=”0″]<\/p>\n
BEST SOUNDTRACK \u201cGABRIELLE LUCANTONIO\u201d<\/strong>
Lucia Alessi & Pier Sante Falconi for TRIA di Giulia Grandinetti<\/strong>\u00a0(Italy)
It refers to others\u2019 imaginary at the same time creating one of its own, caressing the sensuality and tragedy of its narrative and its performers.<\/p>\nBEST CINEMATOGRAPHY<\/strong>
Amirhossein Khoshbin for DEER di Seemab Gul<\/strong>\u00a0(Iran)
In the tradition of great iranian realist cinema and its ability to showcase childhood and its symbolic value, the photography brings together its own anthropological view with the oneiric transfiguration of nature.
Special mention to Alberto Balazs per Mulaqat<\/strong>\u00a0(Pakistan)
For the ability conveyed by colours of places and warmth of feelings reflecting in the contemporary without turning into a stereotype.<\/p>\n[\/et_pb_slide][et_pb_slide heading=”#04″ _builder_version=”4.22.2″ _module_preset=”default” header_font=”|700|||||||” header_text_align=”left” header_font_size=”36px” body_font_size=”18px” background_layout=”light” hover_enabled=”0″ header_font_size_tablet=”43px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on” sticky_enabled=”0″]<\/p>\n
BEST ACTOR<\/strong>
Ehsan Bakhshizadeh for DEER<\/strong>\u00a0(Iran)
For its touching performance never out of tune – proving to be deep and impactful in its gentle innocence – bringing the emotion at the very heart and focus of the narration.<\/p>\nBEST ACTRESS<\/strong>
Daphne Peel for MEMOIR OF VEERING STORM<\/strong>\u00a0(Grecia)
Real and convincing. She creates with few elements an emotional engagement bursting into a touching ending through her expressive power.<\/p>\nBEST SCREENPLAY<\/strong>
Lucienne in a world without solitude by Geordy Couturiau<\/strong>\u00a0(France)
A successful, intriguing and metaphorical idea developing into a long, complex and touching path – employing dramatic composition as a means to question the feelings of the audience.<\/p>\n[\/et_pb_slide][et_pb_slide heading=”#05″ _builder_version=”4.22.2″ _module_preset=”default” header_font=”|700|||||||” header_text_align=”left” header_font_size=”36px” body_font_size=”18px” background_layout=”light” hover_enabled=”0″ header_font_size_tablet=”43px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on” sticky_enabled=”0″]<\/p>\n
BEST DIRECTOR<\/strong>
Hlynur P\u00e1lmason for Nest<\/strong>\u00a0(Denmark)
If directing is the art of addressing a vision according to narrative demands, it is an exceptional ability getting (apparently) rid of the vision to highlight the work on set, its construction, its constant and always on the move staging performance.
Menzione to Sofia Georgovassili per Memoir of a Veering Storm<\/strong>\u00a0(Greece)
For the accuracy of its acting and photography choices – conveying a dense narration through a few individual elements.<\/p>\nBEST DOCUMENTARY<\/strong>
The Sentence of Michael Thompson by Kyle Thrash & Haley Elizabeth Anderson<\/strong>\u00a0(United States)
For its ability to encapsulate lives marked by tragedy – focusing on people and on survival rather than on the sensationalism of events, breaking free from the stereotypes of television.<\/p>\n[\/et_pb_slide][et_pb_slide heading=”#06″ _builder_version=”4.22.2″ _module_preset=”default” header_font=”|700|||||||” header_text_align=”left” header_font_size=”36px” body_font_size=”18px” background_layout=”light” hover_enabled=”0″ header_font_size_tablet=”43px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on” sticky_enabled=”0″]<\/p>\n
BEST ABRUZZO SHORT FILM<\/strong>
I GIORNI DELLE ARANCE by Matteo De Liberato<\/strong>\u00a0(Italy)
For its ability to faithfully retrace an extremely tragic historical-political background, with the outstanding acting performances of the two protagonists and a wise construction of narrative time – creating a touching and sharp movie.<\/p>\nBEST ENVIRONMENTAL SHORT FILM<\/strong>
HAULOUT by Evgenia Arbugaeva & Maxim Arbugaev<\/strong>\u00a0(United Kingdom)
For the exceptional cinematic expertise in which the clarity of scientific (and even autopsic) researches meets with the harrowing wistfulness of the dissolution of an invaluable marine species. The filmic device keeps miraculously together the reclusive glacial monitoring (by a feeble and ancient candlelight) and the transcendence of an ancient gathering of walruses, the barren force of a land with a volcanic and ancestral flavor, the metaphysical hole at the rising of the wind, the relentless snow and the floating of the birds. Glimpses of real cinema uncovering and reporting the lethal and irretrievable consequences of climate change and global warming – such damages appearing to be impossible to entirely estimate.<\/p>\n[\/et_pb_slide][et_pb_slide heading=”#07″ _builder_version=”4.22.2″ _module_preset=”default” header_font=”|700|||||||” header_text_align=”left” header_font_size=”36px” body_font_size=”18px” background_layout=”light” hover_enabled=”0″ header_font_size_tablet=”43px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on” sticky_enabled=”0″]<\/p>\n
BEST MUSIC VIDEO<\/strong>
HOLD ON by Angelo Cerisara<\/strong>\u00a0(Italy)
For the creation of a tale conveying with clarity the struggles between aware friendship and unaware love through constant and erratic emotional shifts which are typical of adolescence and the conflicting energy of such a complex stage – not allowing the protagonists to be aware of themselves by fully embodying their instincts and drives.<\/p>\nPREMIO SIFF KIDS<\/strong>
FOOTPRINTS IN THE FOREST by Juhaidah Joemin e Sandra Khoo<\/strong>\u00a0(Malaysia)
For its ability to narrate the animal kingdom with such an exceptional sensitivity, beginning with the tender story of a little orphan rhino crushed by threats and fatal uncertainty in the wild lands of the Borneo rainforest – in Eastern Malaysia – where he is seeking a new house. This short animation film moves the audience emphasizing family ties and the perils related to human\u2019s ruthless hands damaging nature and its integrity – combining the pressures of the adult world and the poetry of childhood.<\/p>\n[\/et_pb_slide][et_pb_slide heading=”#08″ _builder_version=”4.22.2″ _module_preset=”default” header_font=”|700|||||||” header_text_align=”left” header_font_size=”36px” body_font_size=”18px” background_layout=”light” hover_enabled=”0″ header_font_size_tablet=”43px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on” sticky_enabled=”0″]<\/p>\n
PREMIO SIFF STUDENTI (IIS OVIDIO e IIS FERMI)<\/strong>
L\u2019UOMO MATERASSO by Fulvio Risuleo<\/strong>\u00a0(Italy)<\/p>\nSNCCI AWARD (SINDACATO NAZIONALE CRITICI CINEMATOGRAFICI ITALIANI)<\/strong>
CAMERIERI by Adriano Giotti<\/strong>
Camerieri narrates in a clear and ruthless (but never complacent or threatening) way the material and identitary tragedy of unemployment, without falling into the Manichean decoy of separating good from evil – thus recounting contemporary transversal shades of despair and lack of communication, as a result of the audience standing on no one\u2019s side.<\/p>\n[\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.2″ _module_preset=”default” background_color=”#000000″ max_height=”100px” top_divider_style=”asymmetric” top_divider_color=”#ffcf20″ top_divider_flip=”horizontal” global_colors_info=”{}”][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Video” _builder_version=”4.22.2″ _module_preset=”default” background_color=”#000000″ background_image=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/decoration-7.png” background_size=”custom” background_image_width=”18%” background_position=”top_right” background_vertical_offset=”63%” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”The 41st Sulmona international Film Festival EDITION’S VIDEO” _builder_version=”4.22.2″ _module_preset=”default” title_font=”Mohave|||on|||||” title_text_color=”#FFFFFF” title_font_size=”50px” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”gcid-e850ad88-05af-4ed0-bc88-7082de258f33″ divider_weight=”4px” _builder_version=”4.22.2″ _module_preset=”default” width=”100px” border_color_all=”#ffcf20″ locked=”off” global_colors_info=”{%22gcid-e850ad88-05af-4ed0-bc88-7082de258f33%22:%91%22color%22%93}”][\/et_pb_divider][et_pb_text _builder_version=”4.22.2″ _module_preset=”1f09816e-184e-4ce5-a4cf-b39c52c423ca” text_font=”||||||||” text_font_size=”21px” text_line_height=”1.4em” background_layout=”dark” custom_padding=”||0px|||” hover_enabled=”0″ text_font_size_tablet=”15px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” header_font_size_tablet=”55px” header_font_size_last_edited=”off|desktop” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
Moments and memories of the 2022 Edition: the Sulmona Film Festival reached the milestone of 40 years<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=_MhNJyefiVE” image_src=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/cover-video.png” _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ prev_background_color=”#000000″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” background_color=”#ffcf20″ max_height=”100px” top_divider_style=”asymmetric” top_divider_height=”113px” disabled=”on” global_colors_info=”{}”][\/et_pb_section][et_pb_section fb_built=”1″ make_equal=”on” specialty=”on” background_color_1=”#ffcf20″ background_color_2=”#ffcf20″ bg_img_1=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2017\/11\/bimbo.png” disabled_on=”on|on|on” admin_label=”Features” _builder_version=”4.22.2″ _module_preset=”default” background_color=”gcid-acbd5969-9d5f-4bea-a694-e0e16adbbd29″ background_image=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/decoration-8.png” background_size=”custom” background_image_width=”15%” background_position=”top_right” background_horizontal_offset=”-6%” border_style_all=”none” disabled=”on” collapsed=”on” global_colors_info=”{%22gcid-acbd5969-9d5f-4bea-a694-e0e16adbbd29%22:%91%22background_color%22%93}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider show_divider=”off” _builder_version=”4.22.2″ _module_preset=”default” height_tablet=”40vw” height_phone=”40vw” height_last_edited=”on|tablet” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][et_pb_column type=”1_2″ specialty_columns=”2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”1_2″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”FESTIVAL PHOTOGALLERY” _builder_version=”4.22.2″ _module_preset=”default” title_font=”Mohave|||on|||||” title_text_color=”#FFFFFF” title_font_size=”50px” global_colors_info=”{}”][\/et_pb_heading][et_pb_divider color=”#000000″ divider_weight=”5px” _builder_version=”4.22.2″ _module_preset=”default” width=”29%” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.22.2″ _module_preset=”default” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”1_2″ _builder_version=”4.22.2″ _module_preset=”default” background_color=”gcid-4d171f29-f5cf-4a1b-99b0-2dc43983beb9″ custom_padding=”0px|0px|0px|0px|true|true” custom_padding_tablet=”30px|30px|30px|30px|true|true” custom_padding_phone=”20px|20px|20px|20px|true|true” custom_padding_last_edited=”on|desktop” global_colors_info=”{%22gcid-4d171f29-f5cf-4a1b-99b0-2dc43983beb9%22:%91%22background_color%22%93}”][et_pb_gallery gallery_ids=”1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1169,1170,1171,1172,1173,1174,1175,1176,1178,1179,1180,1181,1182,1183,1184,1363,1370,1385,1386,1391,1390,1392,1382,1381,1384,1366,1365,1364,1368,1369″ fullwidth=”on” _builder_version=”4.22.2″ _module_preset=”default” pagination_font_size=”6px” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” background_color=”#000000″ max_height=”100px” custom_margin=”0px||||false|false” top_divider_style=”asymmetric” top_divider_color=”#ffcf20″ top_divider_height=”73px” top_divider_flip=”vertical|horizontal” border_style_all=”none” disabled=”on” global_colors_info=”{}”][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
A story should have a beginning, a middle and an end, but not necessarily in that order. This year we lost Jean-Luc Godard. A massive and sharp cinematic author who turned experimental ilm grammar into the core of his process of declination of present times. Unlike searching for a passive witness of modernism, his approach […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/pages\/2884"}],"collection":[{"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/comments?post=2884"}],"version-history":[{"count":10,"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/pages\/2884\/revisions"}],"predecessor-version":[{"id":2926,"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/pages\/2884\/revisions\/2926"}],"wp:attachment":[{"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/media?parent=2884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}