Alice Iuri<\/a><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” admin_label=”Header” _builder_version=”4.23.1″ _module_preset=”default” background_color=”#cda4ac” background_image=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/decoration-1.png” background_size=”custom” background_image_width=”14%” background_position=”top_left” module_alignment=”left” custom_padding=”||||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”AWARDS 2023″ _builder_version=”4.23.1″ _module_preset=”default” title_font=”Mohave||||||||” title_text_color=”#f8eed8″ title_font_size=”63px” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/11\/premi-41.png” title_text=”premi-41″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_slider disabled_on=”off|off|off” _builder_version=”4.23.4″ _module_preset=”default” header_font=”|700|||||||” header_text_color=”#FFFFFF” header_line_height=”0.1em” header_font_size_tablet=”” header_font_size_phone=”” header_font_size_last_edited=”on|phone” body_line_height_tablet=”” body_line_height_phone=”2.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}”][et_pb_slide heading=”Best international short film” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”32px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
SHADOW BROTHER SUNDAY<\/strong><\/p>\nby Alden Ehrenreich<\/p>\n
For its large dose of humor and drama, allowing the film to highlight the remarkable performances of its actors at their best. It is an amazing directorial debut for the American actor Alden Ehrenreich – probably drawing inspiration from Paul Thomas Anderson, by the use of the 35mm and the soundtrack of \u201cPunch-Drunk Love\u201d. Although clearly referring to one of the masters of American contemporary cinema, he doesn\u2019t seem to make an appropriation. His directing looks simple, tiny yet powerful, inebriant but also dejected.<\/h5>\n
[\/et_pb_slide][et_pb_slide heading=”Best national short film” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”27px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
SCIARABALLA<\/strong><\/p>\nby Mino Capuano<\/p>\n
This short film knows when it is time to leave, to loose. It knows that you can\u2019t tell a story throughout a single scene, but throughout addition and subtraction \u2013 thoroughly choosing when to quit and how to narrate. Sciaraballa begins vaguely but becomes persuading as the narration goes ahead. It tells a bittersweet story – with a sensitive and accurate directing \u2013 revealing an ungrammatical and ruffled poetic, efficiently aimed at filling a void.<\/h5>\n
[\/et_pb_slide][et_pb_slide heading=”Best national short film” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”27px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
BLACK EYED DOG<\/strong><\/p>\nby Alessandro Cino Zolfanelli<\/p>\n
A piece imprinted of great sensibility, capable of building a considerable strain in terms of style. With a stop-motion production, challenging both for an economic perspective and for its making in itself.<\/h5>\n
[\/et_pb_slide][et_pb_slide heading=”Best documentary short film” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”26px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
JACK AND SAM<\/strong><\/p>\nby Jordan Matthew Horowitz<\/p>\n
A short film that – although in a rhetoric dimension \u2013 stands out for its ability to deepen an important matter such as the memory of the Shoah, particularly relevant at the moment due to the Israelian-Palestinian conflict and the recurring and concerning outbreaks of antisemitism all around the world. The film is touching and moving, rousing the sensibility of the audience in a nontrivial way.<\/h5>\n
[\/et_pb_slide][et_pb_slide heading=”Best animated short film” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”27px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”29px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
ROSEMARY A.D. (AFTER DAD)<\/strong><\/p>\nby Ethan Barrett<\/p>\n
<\/h5>\n<\/h5>\nWith its childlike and primordial aesthetics, this short film is capable of capturing the essence of fatherhood throughout an original stream of consciousness \u2013 infusing a deep emotional richness into a real story.<\/h5>\n
[\/et_pb_slide][et_pb_slide heading=”Best environmental short film” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”28px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”28px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
DONDE LOS NI\u00d1OS NO SUE\u00d1AN<\/strong><\/p>\nby Stefano Sbrulli<\/p>\n
For its report on the dreadful conditions of Cerro de Pasco (in Peru) \u2013 one of the most polluted cities in the world. Its storytelling and documentary device accurately balances humanity and tragedy, formality and empathy, fieldwork and poetic detachment.<\/h5>\n
[\/et_pb_slide][et_pb_slide heading=”Best Abruzzo short film” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”32px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
HAPPY NEW YEAR, JIM<\/strong><\/p>\nby Andrea Gatopoulos<\/p>\n
Throughout the experimental language of cyber realism <\/em>the director represents virtual reality by using its original source without reconstructing it. This approach develops an innovative narration leading the audience to question themselves on the bounders of real world and virtual world.<\/h5>\n[\/et_pb_slide][et_pb_slide heading=”Best music video” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”32px” body_line_height=”1.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”1.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
M\u00c9T\u00c9ORES<\/strong><\/p>\nby Agn\u00e8s Patron & Morgane Le P\u00e9chon<\/p>\n
A music video standing out for an impacting and original poetic.<\/h5>\n
[\/et_pb_slide][et_pb_slide heading=”SIFF KIDS” _builder_version=”4.23.1″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”32px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
MUSHKA<\/strong><\/p>\nby Andreas Deja<\/p>\n
[\/et_pb_slide][et_pb_slide heading=”SIFF studenti” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”32px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
THE ONE NOTE MAN<\/strong><\/p>\nby George C. Siougas<\/p>\n
Motivation of the students from Polo Scientifico Tecnologico Enrico Fermi\u201d:<\/u><\/em><\/h5>\nFor the great artistic awareness of this short film capable of representing a particular love story throughout the expansion and restraint of time and rhytm, the subversion of a mechanical routine and the evolution of the music \u2013 becoming a fil rouge that leads the audience to live this tender and surprising story first-hand.<\/h5>\nMotivation of the students from Polo Umanistico \u201cOvidio\u201d:<\/u><\/em><\/h5>\nThe one note man is a very suggestive short film showing how life can change overnight and take a surprising turn. The main character is able to love again after a period of severe mourning, thanks to music that brings people together. The bassoonist protagonist represents a man getting used \u2013 almost addicted \u2013 to sorrow. The film shows how suffering feeds solitude and turns human beings into automatons, dragging themselves into their daily existence always carrying out the same dull gestures and actions. But something unpredictable changes the game: it is chance, disrupting the routine and presenting a new possibility to the suffering man, reluctant to seizing the opportunity, even if worthy of one. The films looks like a Christmas tale, with a happy ending leading the man to find comfort, joy and hope into someone.<\/h5>\n
[\/et_pb_slide][et_pb_slide heading=”Best directing” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”32px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
Guilherme Daniel<\/strong><\/p>\nfor APPLAUSE<\/p>\n
Somewhere between Larrain and Ingmar Bergman – especially for its vivid work on closeups \u2013 it is a short film with a powerful directing, extraordinary actors and an interesting and original editing. Its pure cinematic grammar is capable of rendering a performance solely consisting of 14 minutes of applause. Its style employs the applause both as the editing and the soundtrack, finding its unique and original directorial vision.<\/h5>\n
[\/et_pb_slide][et_pb_slide heading=”Best screenplay” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”32px” body_line_height=”1.1em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”1.1em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
Annie-Claude Caron & Danick Audet<\/strong><\/p>\nfor DEAD CAT<\/p>\n
An ingenious short film for the way its writing moves within the comedy: every scene presents a solution providing the joy and enthusiasm of sharing the film with other viewers and recounting it at home after watching it for the first time. The dazed tone of the film makes it hard to find the \u201cright timing\u201d, but this is fixed in a hilarious and brilliant way, simple but clever. All this nourishes our expectations on the first feature-film of these two Canadian filmakers, Ugly<\/em>, already in the working.<\/h5>\n[\/et_pb_slide][et_pb_slide heading=”Best actress” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”32px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
Afsaneh Dehrouyeh<\/strong><\/p>\nfor YELLOW<\/p>\n
Two performances of disarming but overwhelming simplicity \u2013 both able to give significance to every line transcending the value of the short films. The bewilderment of their acting is never flaunted but it rather appears to be consistently devastating. With a significant focus on the condition of Afghan women after the privation of their freedom due to the rise of Taliban government in Afghanistan since April of the past year. If Kendra Sow recalls prestigious oriental actresses of the new millennium (such as the ones from Hou Hsiao-hsien to Wong Kar-wai), the Afghan actress Afsaneh Dehrouyeh almost looks like a feminine embodiment of the paintings by Antonello da Messina \u2013 also due to the chromatic directing choices with the use of soft and poetic streaks of blue hues.<\/h5>\n
[\/et_pb_slide][et_pb_slide heading=”Best actor” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”32px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
Vincenzo Nemolato<\/strong><\/p>\nfor THE DELAY<\/p>\n
For the Buster Keaton-way of the actor of dealing with a story of 15 minutes without never really saying a word. The versatility of its acting is capable of rendering an extremely interesting anachronistic performance, with the actor carrying the entire film on his back. Outdated, in a stubborn and contrary direction opposed to the present, with the precise intention of acting out of time<\/em>.<\/h5>\n[\/et_pb_slide][et_pb_slide heading=”Best cinematography” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”26px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”26px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
Ben Mullen<\/strong><\/p>\nfor SHADOW BROTHER SUNDAY<\/p>\n
For its remarkable use of 35mm, worthy of the master of American contemporary cinema Paul Thomas Anderson.<\/h5>\n
[\/et_pb_slide][et_pb_slide heading=”Best editing” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”32px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
Russell Beeden<\/strong><\/p>\nfor THE ONE NOTE MAN<\/p>\n
For its exceptional editing, based on musical scanning and intersection of framing.<\/h5>\n
[\/et_pb_slide][et_pb_slide heading=”Best soundtrack” _builder_version=”4.23.4″ _module_preset=”default” header_font=”Yeseva One|700|||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”33px” header_line_height=”2.6em” body_font=”Yeseva One||||||||” body_text_color=”#643d43″ body_font_size=”32px” body_line_height=”0.2em” background_layout=”light” header_font_size_tablet=”30px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”2.1em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|phone” body_line_height_tablet=”0.2em” body_line_height_phone=”1.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
Fernando Vel\u00e1zquez<\/strong><\/p>\nfor THE LAST CALL<\/p>\n
For an impressive and unique sound mix, capable of highlighting with subtlety the familiar and moral emotions of the short film, reaching a real live musical \u201cperformance\u201d to support the images and reinforce their effect.<\/h5>\n
[\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.23″ _module_preset=”default” background_color=”#ffcf20″ background_enable_image=”off” background_size=”custom” background_image_width=”14%” background_position=”top_right” module_alignment=”left” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”||||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.23″ _module_preset=”default” width=”100%” max_width=”2560px” custom_margin=”0px|0px||0px|false|false” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_button button_url=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/catalogo-siff-41-web-ps-3.pdf” url_new_window=”on” button_text=”Download Siff 41 Catalogue” button_alignment=”center” _builder_version=”4.23″ _module_preset=”default” custom_button=”on” button_text_size=”30px” button_text_color=”#633c42″ button_border_width=”3px” button_border_color=”#633c42″ button_border_radius=”17px” button_letter_spacing=”4px” button_font=”Yeseva One||||||||” button_icon=”||fa||400″ button_icon_color=”#633c42″ custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.23″ _module_preset=”default” background_color=”#ffcf20″ background_enable_image=”off” background_size=”custom” background_image_width=”14%” background_position=”top_right” module_alignment=”left” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.2″ _module_preset=”default” max_width=”2560px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.2″ _module_preset=”default” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_slider show_image_video_mobile=”on” use_bg_overlay=”off” use_text_overlay=”off” arrows_custom_color=”#FFFFFF” dot_nav_custom_color=”#FFFFFF” _builder_version=”4.23″ _module_preset=”default” header_level=”h3″ header_font=”Yeseva One||||||||” body_font=”||||||||” button_rel=”off|off|off|off|off” text_orientation=”left” custom_margin=”||0px||false|false” animation_style=”fade” link_option_url=”https:\/\/www.ciaotickets.com\/biglietti\/lungometraggio-carne-et-ossa-41-sulmona-international-film-festival” link_option_url_new_window=”on” header_font_size_tablet=”” header_font_size_phone=”” header_font_size_last_edited=”on|phone” header_line_height_tablet=”” header_line_height_phone=”0.9em” header_line_height_last_edited=”on|phone” body_font_size_tablet=”13px” body_font_size_phone=”8px” body_font_size_last_edited=”on|tablet” body_line_height_tablet=”1.7em” body_line_height_phone=”2.2em” body_line_height_last_edited=”on|phone” global_colors_info=”{}”][et_pb_slide heading=”Carne et Ossa” button_text=”PURCHASE TICKET” image=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/CARNE-ET-OSSA_2-SQUARE.png” _builder_version=”4.22.2″ _module_preset=”default” header_font=”Yeseva One||||||||” header_font_size=”56px” body_text_color=”#5f3f44″ body_font_size=”25px” body_line_height=”0.4em” background_color=”#a7c8d6″ background_enable_color=”on” body_font_size_tablet=”22px” body_font_size_phone=”22px” body_font_size_last_edited=”on|desktop” body_line_height_tablet=”0.5em” body_line_height_phone=”0.8em” body_line_height_last_edited=”on|phone” border_color_all_image=”#FFFFFF” box_shadow_style_image=”preset7″ box_shadow_horizontal_image=”12px” box_shadow_vertical_image=”-11px” box_shadow_color_image=”#FFFFFF” box_shadow_position_image=”outer” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
by Roberto Zazzara<\/p>\n
<\/p>\n
November 08, 2023 – h 9 pm<\/strong><\/p>\nCINEMA PACIFICO – SULMONA<\/p>\n
[\/et_pb_slide][et_pb_slide heading=”Patagonia” button_text=”PURCHASE TICKET” button_link=”https:\/\/www.ciaotickets.com\/biglietti\/lungometraggio-patagonia-41-sulmona-international-film-festival” url_new_window=”on” image=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/PATAGONIA_1-SQUARE.png” _builder_version=”4.22.2″ _module_preset=”default” header_font=”Yeseva One||||||||” header_font_size=”56px” body_text_color=”#5f3f44″ body_font_size=”25px” body_line_height=”0.4em” background_color=”#a7c8d6″ background_enable_color=”on” header_font_size_tablet=”49px” header_font_size_phone=”52px” header_font_size_last_edited=”on|tablet” body_font_size_tablet=”20px” body_font_size_phone=”20px” body_font_size_last_edited=”on|phone” body_line_height_tablet=”0.4em” body_line_height_phone=”0.8em” body_line_height_last_edited=”on|phone” border_color_all_image=”#FFFFFF” box_shadow_style_image=”preset7″ box_shadow_horizontal_image=”12px” box_shadow_vertical_image=”-11px” box_shadow_color_image=”#FFFFFF” box_shadow_position_image=”outer” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
by Simone Bozzelli<\/p>\n
<\/p>\n
November 09, 2023 – h 9 pm<\/strong><\/p>\nCINEMA PACIFICO – SULMONA<\/p>\n
[\/et_pb_slide][et_pb_slide heading=”Pietro Castellitto” button_link=”https:\/\/www.ciaotickets.com\/biglietti\/lungometraggio-patagonia-41-sulmona-international-film-festival” url_new_window=”on” image=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/cast-quad.png” _builder_version=”4.23″ _module_preset=”default” header_font=”Yeseva One||||||||” header_font_size=”56px” body_text_color=”#5f3f44″ body_font_size=”25px” body_line_height=”0.4em” background_color=”#a7c8d6″ background_enable_color=”on” header_font_size_tablet=”48px” header_font_size_phone=”52px” header_font_size_last_edited=”on|tablet” body_font_size_tablet=”20px” body_font_size_phone=”20px” body_font_size_last_edited=”on|phone” body_line_height_tablet=”0.4em” body_line_height_phone=”0.8em” body_line_height_last_edited=”on|phone” border_color_all_image=”#FFFFFF” box_shadow_style_image=”preset7″ box_shadow_horizontal_image=”12px” box_shadow_vertical_image=”-11px” box_shadow_color_image=”#FFFFFF” box_shadow_position_image=”outer” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
SPECIAL GUEST<\/h2>\n
<\/p>\n
November 10, 2023 – h 9 pm<\/strong><\/p>\nCINEMA PACIFICO – SULMONA<\/p>\n
[\/et_pb_slide][et_pb_slide heading=”Micaela Ramazzotti” button_link=”https:\/\/www.ciaotickets.com\/biglietti\/lungometraggio-patagonia-41-sulmona-international-film-festival” url_new_window=”on” image=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/mic-quad.png” _builder_version=”4.22.2″ _module_preset=”default” header_font=”Yeseva One||||||||” header_font_size=”56px” body_text_color=”#5f3f44″ body_font_size=”25px” body_line_height=”0.4em” background_color=”#a7c8d6″ background_enable_color=”on” header_font_size_tablet=”44px” header_font_size_phone=”47px” header_font_size_last_edited=”on|tablet” body_font_size_tablet=”20px” body_font_size_phone=”20px” body_font_size_last_edited=”on|tablet” body_line_height_tablet=”0.4em” body_line_height_phone=”0.8em” body_line_height_last_edited=”on|phone” border_color_all_image=”#FFFFFF” box_shadow_style_image=”preset7″ box_shadow_horizontal_image=”12px” box_shadow_vertical_image=”-11px” box_shadow_color_image=”#FFFFFF” box_shadow_position_image=”outer” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
SPECIAL GUEST<\/h2>\n
<\/p>\n
November 11, 2023 – h 9 pm<\/strong><\/p>\nCINEMA PACIFICO – SULMONA<\/p>\n
[\/et_pb_slide][\/et_pb_slider][et_pb_tabs active_tab_background_color=”#f8eed8″ inactive_tab_background_color=”#f4f4f4″ active_tab_text_color=”#5f3f44″ _builder_version=”4.23.1″ _module_preset=”default” tab_text_color=”#a7c8d6″ body_text_color=”#5f3f44″ body_font_size=”19px” tab_font=”Yeseva One||||||||” tab_font_size=”22px” tab_letter_spacing=”9px” tab_line_height=”1.8em” background_color=”#5f3f44″ custom_margin=”|0px|||false|false” custom_padding=”|0px|||false|false” body_font_size_tablet=”19px” body_font_size_phone=”14px” body_font_size_last_edited=”on|phone” tab_font_size_tablet=”22px” tab_font_size_phone=”18px” tab_font_size_last_edited=”on|phone” border_width_all=”0px” global_colors_info=”{}”][et_pb_tab title=”November 08″ _builder_version=”4.23.1″ _module_preset=”default” background_color=”#f8eed8″ background_enable_color=”on” global_colors_info=”{}”]<\/p>\n
16:30 >> 19:00<\/strong>
M\u00c9T\u00c9ORES by Agn\u00e8s Patron & Morgane Le P\u00e9chon \u2013 FRANCIA
WHITE LIE by Eyal Elisha \u2013 ISRAELE
DONDE LOS NI\u00d1OS NO SUE\u00d1AN by Stefano Sbrulli \u2013 ITALIA
DOG \u2013 APARTMENT by Priit Tender \u2013 ESTONIA
FRIEND OF A FRIEND by Simon Gualtieri \u2013 FRANCIA
FOTO DI GRUPPO by Tommaso Frangini \u2013 ITALIA
APPLAUSE by Guilherme Daniel \u2013 PORTOGALLO
MARIPOSA by Maurizio Forcella \u2013 ITALIA<\/p>\n19:00 >> 21:00<\/strong>
A SHORT TRIP by Erenik Beqiri \u2013 FRANCIA
PINOQUO by Federico Dematt\u00e8 \u2013 ITALIA
ITS A GRAY, GRAY WORLD by Seyed Mohsen Pourmohseni Shakib \u2013 IRAN
SCIARABALLA by Mino Capuano \u2013 ITALIA
FORGIVING JOHNNY by Ben Proudfoot \u2013 STATI UNITI
LAST CALL by Harry Holland \u2013 STATI UNITI<\/p>\n21:00 >> 23:00<\/strong>
CARNE ET OSSA by Roberto Zazzara \u2013 ITALIA \u2013 Opening film
Talk with the director Roberto Zazzara and the producer Cristiano Di Felice<\/p>\n[\/et_pb_tab][et_pb_tab title=”November 09″ _builder_version=”4.23.1″ _module_preset=”default” background_color=”#f8eed8″ background_enable_color=”on” global_colors_info=”{}”]<\/p>\n
16:30 >> 19:00<\/strong>
ONE OF THESE DAYS I’LL STEAL YOUR HEART by Pierfrancesco Bigazzi \u2013 ITALIA
LE SECOND TOUR by Maxime Cappello \u2013 FRANCIA
THE MIRACLE by Nienke Deutz \u2013 BELGIO
YELLOW by Elham Ehsas \u2013 AFGHANISTAN
THREE TREES by Mathias Richard Horhager & Aaron Hong \u2013 CANADA
MILLENNIAL by Eleonora Corica \u2013 ITALIA
OUR MALES AND FEMALES by Ahmad Alyaseer \u2013 GIORDANIA
HAPPY NEW YEAR, JIM by Andrea Gatopoulos \u2013 ITALIA<\/p>\n19:00 >> 21:00<\/strong>
SEA SALT by Leila Basma \u2013 LIBANO
BLACK EYED DOG by Alessandro Cino Zolfanelli \u2013 ITALIA
FAMILIAR STRANGER by Sara Furrer & Fabian L\u00fctolf \u2013 SVIZZERA
DIVE by Aldo Iuliano \u2013 ITALIA
HUMO by Rita Basulto \u2013 MESSICO
DEAD CAT by Annie-Claude Caron & Danick Audet \u2013 CANADA<\/p>\n21:00 >> 23:00<\/strong>
PATAGONIA by Simone Bozzelli \u2013 ITALIA
Talk with the director Simone Bozzelli and the actor Andrea Fuorto<\/p>\n[\/et_pb_tab][et_pb_tab title=”November 10″ _builder_version=”4.23.1″ _module_preset=”default” background_color=”#f8eed8″ background_enable_color=”on” global_colors_info=”{}”]<\/p>\n
16:30 >> 19:00<\/strong>
KING OF SEA by St\u00e9phane Berla \u2013 FRANCIA
PLEASE HOLD THE LINE by Tan Ce Ding \u2013 MALESIA
THE WINTERKEEPER by Laurence Topham & David Levene \u2013 REGNO UNITO
STARLING by Mitra Shahidi – STATI UNITI
THINGS UNHEARD OF by Ramazan K\u0131l\u0131\u00e7 \u2013 TURCHIA
SUBTITLES by David Barbieri \u2013 ITALIA
WHERE THE BIRDS CRY by Jakub Wenda \u2013 POLONIA
SACRO URBANO by Giovanni Berardi & Simone Paggetti \u2013 ITALIA<\/p>\n19:00 >> 21:00<\/strong>
SHADOW BROTHER SUNDAY by Alden Ehrenreich \u2013 STATI UNITI
THE DELAY by Mattia Napoli
JACK AND SAM by Jordan Matthew Horowitz \u2013 STATI UNITI
IN QUANTO A NOI by Simone Massi \u2013 ITALIA
THE ONE NOTE MAN by George C. Siougas \u2013 REGNO UNITO
ROSEMARY A.D. (AFTER DAD) by Ethan Barrett \u2013 STATI UNITI<\/p>\n21:00 >> 23:00<\/strong>
SIFF TALK: Francesco Al\u00f2 talks with PIETRO CASTELLITTO<\/p>\n[\/et_pb_tab][et_pb_tab title=”November 11″ _builder_version=”4.22.2″ _module_preset=”default” background_color=”#f8eed8″ background_enable_color=”on” global_colors_info=”{}”]<\/p>\n
17:30 >> 19:30<\/strong>
Premiazione SULMONA INTERNATIONAL FILM FESTIVAL 41<\/strong><\/p>\nSIFF TALK:<\/strong> Francesco Al\u00f2 talks with MICAELA RAMAZZOTTI<\/strong><\/p>\n21:00 >> 23:00<\/strong>
FELICIT\u00c0 by Micaela Ramazzotti \u2013 ITALIA<\/p>\n <\/p>\n
[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.23.1″ _module_preset=”default” background_color=”#000000″ max_height=”100px” top_divider_style=”asymmetric” top_divider_color=”#ffcf20″ global_colors_info=”{}”][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” _builder_version=”4.22.2″ _module_preset=”default” background_color=”#ffcf20″ background_image=”http:\/\/www.sulmonafilmfestival.com\/wp-content\/uploads\/2023\/10\/decoration-4.png” background_size=”custom” background_image_width=”14%” background_position=”top_right” module_alignment=”left” custom_padding=”||||false|false” disabled=”on” collapsed=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”20px” global_colors_info=”{}”]<\/p>\n
The SULMONA International Film Festival (SIFF) is a short films festival taking place in Sulmona (Italy) in autumn. The Festival celebrates young cinema from all around the world with a selection of new works from emerging directors and passionate storytellers with unique visions. The SIFF, originally, ‘Sulmonacinema Film Festival’, has reached its 40th edition in 2022. Throughout the last years Sulmonacinema supported the young Italian filmmakers, some of whom have become the most representative directors of Italy\u00a0 such as the Academy Award winning Paolo Sorrentino, Matteo Garrone, Emanuele Crialese, Luca Guadagnino, Saverio Costanzo, Michelangelo Frammartino. Lately Festival have welcomed guests and judges like Mario Monicelli, Claudia Cardinale, Claudio Santamaria, Stefano Accorsi, Maya Sansa, Enrico Ghezzi, Pippo Del Bono, Luigi Lo Cascio, Antonietta De Lillo, David Riondino, Sonia Bergamasco, Antonio Rezza e Flavia Mastrella, Francesco Bruni, Francesco Montanari, Marianne Leone and Chris Cooper. The event also presents a range of special initiatives included film workshop, retrospectives, non-competitive feature films screening, concerts, exhibitions.<\/p>\n
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Moments and memories of the 2022 Edition: the Sulmona Film Festival reached the milestone of 40 years<\/p>\n
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41\u00b0 SulmonaInternationalFilm FestivalIllustration by Alice IuriSHADOW BROTHER SUNDAY by Alden Ehrenreich For its large dose of humor and drama, allowing the film to highlight the remarkable performances of its actors at their best. It is an amazing directorial debut for the American actor Alden Ehrenreich – probably drawing inspiration from Paul Thomas Anderson, by the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/pages\/3066"}],"collection":[{"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/comments?post=3066"}],"version-history":[{"count":41,"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/pages\/3066\/revisions"}],"predecessor-version":[{"id":3236,"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/pages\/3066\/revisions\/3236"}],"wp:attachment":[{"href":"https:\/\/www.sulmonafilmfestival.com\/it\/wp-json\/wp\/v2\/media?parent=3066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}